Saturday morning, a week and a day after Goose was discharged from the hospital in Fountain Valley, we were scheduled for a check up on his progress. In the little man’s 8+ years, car rides have never been a looked forward to experience. The fact that he made it across the country in four and a half days (with three of those days relatively calm) still amazes me. But I know it’s stressful for him and I wasn’t looking forward to making the 30-mile drive with him.

The day before, and the morning of the appointment, were not going well. He was having trouble keeping food down, and I was very worried that the nerve damage in his face was somehow affecting his ability to swallow. As we left the house, Goose in my arms, I honestly had a slight feeling that he might not be returning, and that scared me. (more…)

About a month ago, Goose the cat, my trusted friend of the past 8 years and 11 months, developed a sniffle. Because Goose has asthma, and because I was going away in mid-March to France, I took him to the vet to get it checked out. The vet found nothing, chalked it up to a simple viral upper respiratory infection and gave him an antibiotic shot just in case it got worse.

On the morning of Sunday, March 11, I left for France, a solid 20-hour trip from door-to-door. Goose was left in the house on his own, with the gravity-feeding food and water to last him for the week, and daily visits from our friend Jolene. Meanwhile, Heather arrived home from the east coast on that Thursday, March 15, two days before me. When she reached home, she noticed that the pupil in Goose’s left eye was more dilated than the other, and informed me right away. I arrived home that Saturday, March 17, and scheduled a follow-up appointment with the same vet for Monday, March 19. (more…)

Earlier this week, I went out to ride my bike after work, at the new-ish spot I’ve been riding at since arriving in California last month. It’s a train station next to the 405 — nothing glamorous, with the constant roar of passing cars on the freeway giving the area a feel of constant unrest. Its most memorable function so far has been as the opening scene of the movie “Heat” in 1995. After 7 p.m. most days, the cars empty out of the parking lot and the lights remain on, so I’ve naturally gravitated towards it during that time. 99% of my short time there so far has been uninterrupted with the exception of a man attempting to fix a ’70s era Winnebago (he ended up clapping at my efforts and asked how high I could bunnyhop.) (more…)

It all started at a bike shop in Matawan, N.J. called The Wheeler Dealer. As an impressionable 12-year-old still amped off of seeing “Back To The Future” a year before, I entered The Wheeler Dealer with no intentions of buying a bike — I was looking for Santa Cruz skateboard wheels. The shop didn’t have them, but they did have a magazine named Freestylin’ on the shelves, which prominently featured skateboarding. (more…)

My natural inclination with music is to work backwards. Sometimes it works, and I can draw a line between 2006 and 2011. And sometimes, I’m just reminded that people continue to be the people I’ve come to understand through their music. Other times, like today, there’s like two swigs of wine left in the 1.5L bottle of Malbec from the supermarket and my ideas get confused.

2011 was not a good year. For most of the summer, I think I listened to the Young Widows album ‘In and Out of Youth and Lightness‘ because I could blast it in the car and kinda turn off my brain for at least twenty minutes a day. Said album saved me from internal combustion probably more than a few times, but when life mellowed out and I took a look back, I couldn’t decide if I really liked the music or just liked that it was loud and numbing. (more…)

Growing up and deciding to focus primarily on the flatland aspect of BMX in the Northeast in the mid ’80s wasn’t exactly uncommon. At the time, there seemed to be a good number of BMXers that did the same thing within mere miles of myself. But because the sport had begun on the West Coast, and because the media of the time focused on the West Coast professionals, a kid in Central New Jersey wanting to learn how to ride flatland had no local heroes to look up to.

There were a few N.J. riders that eventually did make an impact on the BMX scene in the late ’80s (riders such as Roger Sullivan, Jay Jones and anyone from the General Bicycles heyday), but around 1986, if you wanted to ride flatland and needed a hint that you weren’t completely off your rocker trying to do so in a town 25 miles outside of Manhattan, you didn’t have too many options.

So I went with Chris Lashua, a pro for Mongoose that hailed from Massachusetts and generally didn’t “fit in” in the scheme of flatland at the time. He was 3000 miles away from the media, he wore a weird ventilated helmet in competitions, and he rode for Mongoose right at the time when they were trying to push more scooters than BMX bikes.

Still, for some reason, Lashua was featured heavily in the magazines of the time. The purist in me likes to believe it was because he could ride a bike with style and looked good in photos, but the salty bastard in me tends to think that Mongoose had ad dollars to spend and putting a Mongoose rider in the magazines was good business for all parties involved.

Once upon a time, I was not that person, and that is why I’m here now. Lashua wasn’t from New Jersey, he was from Massachusetts. And even at age 13, I knew that Mass had way worse winters than we had in N.J. The fact that he had overcome the weather versus BMX in a tougher climate than myself automatically made me a fan.

Not only that, at a young age, I could easily see that he made riding flatland look stylish. He had the right hunch, the bent knees, the ability to work with the bike and not against it — all that I easily took from still photos portrayed within the page of Freestylin’.

But the real reason I remain to this day a devout fan of Chris Lashua goes back to one day in Point Pleasant, N.J. in the summer of 1988. Lashua and the Mongoose team were doing demos for Mongoose at the beach, and before the ramps were set up, before the crowd had assembled, and before anyone was paying attention, Chris Lashua was riding like it was his last day on Earth.

Halfway through the session, someone local brought the go-to ramp of the time (a launch ramp) and Lashua rode at the back of it, hopped over it on his Decade Pro and landed in the small transition of the take off. He then circled around and glided into a fast (even by today’s standard) steamroller glide around the circumference of the parking lot. Afterwards, he did the then unthinkable. He hopped at the back of the launch ramp, landing on his sprocket in the disaster position, then pushed forward into the transition as smooth as Mike Brennan did in the Ride BMX video “Insight.”

I was awestruck already, and then I met him. He was grounded, encouraging and really didn’t think he was anything special in the scheme of BMX. I went home that night, grabbed some Lashua pictures out of the magazines, taped them to my walls and remained a fan until BMX died a half-hearted death and Chris Lashua disappeared.

Years later, I would come to find out that Chris Lashua made the switch to performance art, joining Cirque Du Soleil and pioneering some kinda wonder wheel thing like Richard Pryor rode in “The Toy.” He remains evasive about his influence on BMX in modern interviews, but I don’t wanna sell the dude short here.

Chris Lashua didn’t invent a whole lot of tricks, and he didn’t remain on the scene to become a savior of sorts for the Northeast, but he brought an important aspect to the rolling aspect of flatland that I often find overlooked in modern times –style. To this day, 25 years after he first did them, Chris Lashua’s steamrollers remain one of the best steamrollers in BMX. And that is why I will never say anything bad about him for doing a Mongoose ad where he’s posing in an endo on a scooter next to a stretch limo in Vegas.

I’m glad flatland has progressed to the point it has, but I miss the days when style was just as important as the progression of the sport.

This video is partially responsible for me being a weirdo in my adult life.

Considering it’s been a while, I’m not really sure where to begin. I guess there is the obvious — moving from Jersey City, N.J. to Redondo Beach, Calif.

And then there is the mundane, like waiting around for over two weeks while our belongings were shipped to us, sitting in lawn chairs and watching “It’s Always Sunny in Philadelphia” DVDs on a computer propped up atop a washer and dryer in the kitchen.

And, of course, the flat out absurd, like the time I walked into the restroom in the new building I work at and had to pee next to a guy attending to a conference call on his speakerphone.

Now that our things are here and I’m not washing disposable plastic ware, it’s beginning to calm down a bit. I even had somewhat of a typical day today, aside from riding to the Pacific Ocean in the morning, along the water to Palos Verdes, and back up past famed BMX spots that were immortalized on the pages of Freestylin’ Magazine in my childhood. I guess, for all intents and purposes, I’m going to either assume that the surrealism I’m experiencing daily is normal, or that I’ve kinda lost sight of what I once thought was normal.

Either way, everything at the moment feels kinda crazy, and I never ever thought I would find myself here. I guess I was more comfortable knowing I was a walk away from filming locations for “The Sopranos” than “Pacific Blue.”

But before I go any further into that, I should mention the above video. Many years ago, when my younger brother lived in Jersey City and I was still in Piscataway, my father and I drove up to North Jersey to visit him at work. After stopping into the bar he was working at, my father suggested we check out the old railway terminal at Liberty State Park. A hundred years ago, it the was the point of entry in the U.S. for European immigrants that had cleared Ellis Island, and the tracks led West to new lives throughout America for the English, Irish, Scottish, French, German, Russians, Poles, etc, etc.

I don’t remember much of what transpired between us on that February day, but I remember the enormity of the parking lot for buses next to the railway terminal, and I made a mental note that if the chance ever arose, it would be a good place to ride bikes.

Sometime in late August 2007, I revisited the park. The parking lot was still empty and the lights were on all along the water. Pretty soon afterwards, I started testing the waters, expecting to get kicked out by the park police. But that never happened. Instead, each officer I spoke to in the parking lot over the past four years was over the top friendly and curious about my riding, my bike and everything that had brought me to the park in the first place.

Quickly, it became the one spot I gravitated towards throughout my tenure in Jersey City. And when that city would push me towards insanity, I would retreat to that one place I knew to be quiet and peaceful, hinting at an ocean breeze from the nearby brackish Hudson River.

I knew everything about that place — each crack in the pavement, each half-cocked local, each groundskeeper, each light bulb that needed to be replaced. And when we found out we were moving earlier this summer, I knew that I wouldn’t necessarily miss our apartment, our street or the surrounding environment. But I knew that I would miss the one place I had to come to call my own in that desolate parking lot overlooking lower Manhattan.

I didn’t make any rushed plans to document my last months there or anything. I had gone back and forth with Dane Beardsley sometime before, about him coming to visit. I initially thought he was coming to visit New York City, and then, on a Saturday night in early November, he said he was down the street in a bar drinking by himself. So I rode down and met up with him. Over the next few days, we filmed the above clips with no real plans for them. They were just some random things I had been working on and Dane wanted me to have them filmed before I moved away.

On the night of Friday, November 25, I had my last session at the park. I didn’t say goodbye, I just rode for two hours and left with the intention of coming back the next day. Then packing turned into more packing, and before I knew it, our moving day (Nov. 28) had arrived. Now I’m 2800 miles away, looking for new places to ride and glad that Dane encouraged me to film the above video.

Whenever the situation arises and a decision is made to go to the beach, Heather shows patience with me and allows me to avoid the most direct routes in favor of local roads down into Central Jersey for our excursion. Along the way, I tend to repeat not-easily-forgotten proponents of my upbringing, which was, by and large, Monmouth and Middlesex County, N.J.

Some of those snippets include:

“That’s the gas station where I bought my first car from a man named Scamp. The ‘82 Datsun.” (Route 35, Middletown)

“There used to be a shortcut to that 7-11 from our house.” (Lloyd Road, Matawan)

“That orchard is renowned throughout New Jersey.” (Route 34, Colts Neck)

“One time, we stole pumpkins from that pumpkin patch and collected them on the side of the road, but when I went to get the car and retrieve them, someone else had stolen them.” (Route 34, Holmdel)

“That used to a Boston Market. I don’t know what ‘Kicky’s Restaurant‘ is though.” (Route 34, Matawan)

“That clown scared me to death as a child.” (Evil Clown, Route 35, Middletown)

Most of the time, it’s really just small talk, reminisces of a yesteryear when the terrains remained the same, but the signs and shapes of my daily surroundings were different (with exception to the clown, which remains). I realize that it’s the experiences of my past, and that by crossing back over the land in which these experiences happened, that my mind will dig up these past memories and apply my current morality to my past exploits. (IE – Don’t steal and never buy a used car from a guy named Scamp.) But it’s also a way for me to dig up some nostalgia and remember what is was like to be a kid growing up in central New Jersey in the late ’70s, throughout the ’80s and mid ’90s.

Today, on our way back from Spring Lake, N.J., I took Route 35. Along the way, we stopped in Bradley Beach for coffee (former teenage hangout), then in Eatontown at the DMV to get the car inspected (the same place where I successfully passed my driver’s test as a 17-year-old), and then in Middletown at a Whole Foods.

The last destination shouldn’t have meant much, but more than a few times, as young kid, I remember my mother and grandmother, in the same parking lot, counting coupons for Shop Rite’s annual “Can Can celebration.” It was nothing more than a sales event for Shop Rite’s own brand of canned goods, but it was on land that I once traversed as a child, with a family I no longer knew in the same way. (My grandmother passed away in 1994, the rest of us have moved on away from Monmouth County.)

For a moment, I felt sad at the loss of what once during that memory. It wasn’t just the mourning of my past life as a child; it was more just the realization that these very real trigger objects to my earlier life still exist throughout so much of New Jersey, and that soon, I would be too far away to visit them in just an hour’s drive down Route 35.

But then, just as quickly, we turned the car on, exited onto Route 35, and headed North for the lives we currently occupied.